Month: January 2014

Exercise 2: Process Drawings

For exercise we were provided with a list of words and had to chose two, from which we were responsible for arranging each word in a way that would express its meaning. I chose to create compositions with the words; repetition & disruption. I sketched out various designs while keeping in mind spacing, size, placement, and orientation of all the letters. In each design I attempted to convey the words meaning while still maintaining a level of legibility. For each word, I created about four sketches (for some I changed my design for the final assignment).

 

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For repetition I wanted to ensure that the idea of multiple pieces were shown. The first design was simply the word repetition over and over in a vertical fashion. This is what I began with but ultimately moved away from, but ended up with the third design, which is the word repetition show repetitively in a vertical column. But the difference is that each ‘repetition’ decreases in size moving from bottom to top. This gives an illusion that the word itself is scrolling down the screen but also creates a sense of depth. The second design was my second final design for repetition. For this design I really played with the concept of repetition. I wrote the word front and centre so the audiences focus is pulled directly in. Then, around the main word there are multiple smaller repetitions surrounding the centrepiece.  

The second word I chose to create compositions for was ‘disruption’. Approaching this design I wanted to play with the words meaning and create a piece that either physically disrupted the word, but also disrupted the viewer (in a minor way). The first design, ‘disruption’ written in a vertical fashion but shifting the letters ever so slightly allows the viewer to still be able to read it, but the shifted letters creates a slight disturbance while reading due to having to move your eyes in a way different that conventionally reading left to right. I continued on this idea with my final design which is the word simply written backwards, but the letters still face the proper way. This allows the viewer to still recognize the word but work in order to properly read it. For the one design I worked on scattering the letters of the word around the artboard, but ultimately moved away from this idea because it began to become difficult to read. 

Below are the final products of each design: 

Repetition #1

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Repetition #2 

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Disruption #1

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Disruption #2

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Typeface: DIN 1451

DIN 1451, also known as Din Schriften Mittelschrift stands for Deutsche Industrie-Norm (German Industrial Standard) was originally conceived in 1905 for the use in the Prussian Railway system. The intent was for the font to be applied to signs, directions, and information panels. It wasn’t until 1936 that Walter Portsman developed the concept of the font for paper use, and finally Linotype Design Studio officially designed the font for use, and in 1995 Albert Jan-Pool digitized the font.

The font was first conceived for the use in the Prussian Railway, but was postponed. When it was finally designed in 1936 it was used for traffic signs, areas of technology, administration, and business purposes. The German Standard Committee decided on this font because it was easy to write and its legibility. Although the main purpose was for professional use, the font became popular with the exposure it received and was beginning to be used for advertisements, graphic design, and modern artists. Since its inception there have been multiple variations of the DIN standard font such as FF DIN, DIN NEXT, and DIN Round.

It is classified as a sans-serif, OpenType font containing lining and OldStyle figures, it was designed with a constructivist style approach using grids to keep uniform. These were some of the main reasons why the German Standard Committee decided to utilize this font for the Prussian and German Imperial Railway systems as it was easy to read and an effective way of communication. There have been multiple fonts designed based on the original, many of which come from Albert Jan-Pool and licensed under Linotype Design Studio.

The DIN 1451 font celebrated its 100th anniversary in 2005 and has been used in multiple formats. It is commonly found in Germany as well as other countries around the world on street signs, railway systems, and has become common for license plates. It has been used in more modern companies such as JetBlue Airways and various others. It has also been found in popular culture on the Showtime television series Dexter. Below are some examples of DIN 1451 and its variants being utilized:

Check out the opening sequence to Dexter here:

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Some examples of German street signs:

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JetBlue Airways utilize DIN 1451 for their logo and advertisements:

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References:

DIN 1451

http://www.fonts.com/font/linotype/din-1451#product_191396

Effective Print Communication — Whey Protein

Blog Post Assignment #1 

Image   For this first post I wanted to pick something that I personally feel is an example of an effective print communication that I use in my everyday setting. I choose to photograph and discuss the container for Gold Standard Whey Protein. I find this packaging and text to be an effective form of communication as it presents necessary information but also provides extra information that can answer potential questions that someone may have about the product. I personally feel that the design of the container is visually appealing while not taking away from the message and information presented. In today’s society with the ad clutter and competition among companies, products and  their information are often overshadowed by flare and “dressing up”. When I am looking to buy a product I like when the information I need and want is presented in a way that is accessible and easy to communicate. The container highlights the product (WHEY protein) on the front, it also includes general information that helps identify the difference from other similar products such as serving size, flavor, grams of protein and other main ingredients. All of which can be seen in the first photo.

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The second photo shows one of the sides of the bottle that provides extra information that can answer questions one may have about the product. Some of this includes why WHEY protein is effective, special ingredients, and potential benefits of the product. All of which is set up in a layout that allows the reader to move from one section to another smoothly without being distracted.

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The final photo shows the last section of the container that provides the nutrition facts, ingredients, and directions for the product. All of the information is presented in an efficient manner that allows customers to get the information they need quickly and effectively. 

   Various types are used on the container all of which serves a purpose. All of the text included is sans serif but the type and size varies on the information being presented. Some facts that call for greater attention are larger, such as the product name and highlights. While more detailed information such as ingredients are much smaller. The layout of the container presents a message and allows readers to visually engage and absorb the presented message while still enjoying the visual appeal of the packaging. Overall, the simple but effective design of the Gold Standard WHEY protein container is my choice of an effective print communication.